PDF Ebook The Lost Painting: The Quest for a Caravaggio Masterpiece, by Jonathan Harr
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The Lost Painting: The Quest for a Caravaggio Masterpiece, by Jonathan Harr
PDF Ebook The Lost Painting: The Quest for a Caravaggio Masterpiece, by Jonathan Harr
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Review
“Jonathan Harr has gone to the trouble of writing what will probably be a bestseller . . . rich and wonderful . . .in truth, the book reads better than a thriller because, unlike a lot of best-selling nonfiction authors who write in a more or less novelistic vein, Harr doesn't plump up his tale. He almost never foreshadows, doesn’t implausibly reconstruct entire conversations and rarely throws in litanies of clearly conjectured or imagined details just for color’s sake. . . . If you're a sucker for Rome, and for dusk . . . [you'll] enjoy Harr's more clearly reported details about life in the city, as when—one of my favorite moments in the whole book—Francesca and another young colleague try to calm their nerves before a crucial meeting with a forbidding professor by eating gelato. And who wouldn’t in Italy? The pleasures of travelogue here are incidental but not inconsiderable.”—The New York Times Book Review“Jonathan Harr has taken the story of the lost painting, and woven from it a deeply moving narrative about history, art and taste—and about the greed, envy, covetousness and professional jealousy of people who fall prey to obsession. It is as perfect a work of narrative nonfiction as you could ever hope to read.”—The Economist“Harr’s lean, observant prose provides sensory intimacy without sensory overload. . . . The result is a revealing portrait of a world seldom seen by ordinary folks. . . . At its best, Harr’s magnetic storytelling recalls Cappelletti’s first encounter with the work of Caravaggio. To her, his paintings seemed ‘to pulse with heat and life, capturing a moment in time like a scene glimpsed through a window.’”—The Washington Post Book World “[The Lost Painting] reads like a whodunit, romantic thriller and scholarly monograph rolled into one. . . . A colorful cast of real-life charmers, dreamers and oddballs worthy of a novelist’s vivid imagination.”—Baltimore Sun “With The Lost Painting . . . [Harr] bestows on it all of his narrative gifts. . . . Cappelletti . . . notes that ‘nowadays almost every art historian with an interest in the seicento [17th century] had a Caravaggio article in the works, and museums everywhere wanted to put on a Caravaggio exhibition. . . .’ She called it ‘the Caravaggio disease.’ . . . Readers of The Lost Painting may well find themselves similarly afflicted.”—Newsday “Riveting . . . Harr [is] a consummate storyteller. . . . An effortlessly educational and marvelously entertaining mix of art history and scholarly sleuthing.”—Booklist “Part detective story, part treasure hunt, this book takes us from dusty basement archives to the ornate galleries of Europe’s finest art museums. . . . Harr provides a fascinating glimpse into the insular world of art history and restoration. . . . Art lovers and mystery fans should find plenty to ponder and enjoy.”—Kirkus Reviews
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About the Author
Jonathan Harr is the author of the national bestseller A Civil Action, winner of the National Book Critics Circle Award for Nonfiction. He is a former staff writer at the New England Monthly and has written for The New Yorker and The New York Times Magazine. He lives and works in Northampton, Massachusetts, where he has taught nonfiction writing at Smith College.To schedule a speaking engagement, please contact American Program Bureau at www.apbspeakers.com
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Product details
Paperback: 320 pages
Publisher: Random House Trade Paperbacks; Reprint edition (November 7, 2006)
Language: English
ISBN-10: 0375759867
ISBN-13: 978-0375759864
Product Dimensions:
5.2 x 0.7 x 8 inches
Shipping Weight: 9.6 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
264 customer reviews
Amazon Best Sellers Rank:
#224,053 in Books (See Top 100 in Books)
Jonathan Harr wrote a very intriguing book about the discovery of a long-lost Caravaggio, The Taking of Christ. If you are an art lover who also loves Italian art, this book will entertain you. I qualify. I was fascinated to learn more about Caravaggio's rather rakish life as well as the way lost art is discovered.Harr put the reader in the role of detective. We explored the documents along with his two young art historians, Francesca and Laura. I felt as if I was there plowing through the old letters and ledgers. I sneezed from the dust and shivered from the cold. That's how intimate the writing was.We also learned how hard it is to restore a piece of work painted in the early 17th Century. Four hundred years of dirt, grime, and much more had to be carefully removed. The professional hands of Benedetti delicately guided us through this process. Even after he, a compulsively careful restorer, made a near-fatal error, the painting survived.But, was it really the lost Taking of Christ or simply a well-done copy? That's the question that both the reader and those who discovered it pondered. Many of Caravaggio's disciples copied his work. They did it on commission and their skill level was almost as good as the Master's. So, how to determine if this one was a genuine Caravaggio?Read the book to find out.
I would rate this book between a 4 and a 5. Although I am most certainly not an art history student, the author creates a story line which keeps the reader going, wondering what the final plot will be. There are sections of the book which I think could have been improved by better organization, but overall I enjoyed the book from beginning to end.
I first learned of Caravaggio on a walking trip in the Veneto. I later started a Caravaggio biography but didn't get through it. Caravaggio is known not only for his painting but for his tempestuous personality. This book weaves those threads together very well. I am left with an engaged appreciation, and a desire to learn more.
For it being a used book it was in great shape, had a couple of bent corners of the book, but other then that it looks new. This is a good interesting story. I actually know the priest (Father Barber) who was instrumental in finding this painting and mentioned several times throughout this book. I had previously read this book a few years ago, but it was a borrowed book and I wanted my own hard bound copy as I wanted Father Barber to sign it; but, hard bound is not being printed any longer so I decided to purchase this through Amazon. I'm glad I did. My volunteer helper, also knows Fr. Barber and wanted a book too so I ordered another one for her. Her book was a little more used looking but still in good shape; however, she received a First Edition book. She was pleased with her book also.
I thoroughly enjoyed this book.While reading it, I did not know if was fact or fiction. It was a real thrill to discover at the end, the book is actually non-fiction and based on extensive research and interviews. The author even went to the trouble of learning to speak Italian to better converse with most of the characters appearing in this book. It is written so well with such vivid descriptions of people and places, the reader is brought right into the scene.Personally, I had a hard time putting it down.
A must-read for Caravaggio fans! I felt like I was walking around Rome while I was reading it. The only glitch in the true story comes when there's a brief detour into the life of Caravaggio himself. Harr's narrative seemed at odds with what I'd already learned from recent scholars about the artist and his wild, and often violent, life. The quest to trace the history of the painting is a great real life mystery.
It is hard for me to understand why admirers became addicted to Caravaggio or any artist. Evidently this was an era of intense devotion to discovering new art and to spend years searching for its pedigree. It was an interesting book however .
As an art history student, and still fond of the history of anything, I found this book engaging and very informative. Yes, it’s a novel, but the underlying story would hold up under any circumstances. The plot line is semi- weak, but I was there for the story of a painting and how such a discovery is authenticated. Very convincing book.
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